宇多丸『夜明けのすべて』を評論：週刊映画時評ムービーウォッチメン【公式式】2024年2月29日（Eng.sub）

宇多丸『夜明けのすべて』を評論：週刊映画時評ムービーウォッチメン【公式式】2024年2月29日（Eng.sub）

So here I am, Umaru, who uses my own money to intervene and review the latest movies chosen at random.Tonight, I’ll be covering the movie Ucchimen, which has been released in theaters since February 9th, and is all

About the popular author Seimako. The Miyake Award-winning director, who has completed the rehearsal of the alliance novel by Mr. Fujisawa, is a movie that records Mr. Fujisawa, who becomes irritated once a month because of the PMS Tsukigata Ma small engineering army, and

Huda, who wakes up at first glance, suffers from a panic disorder. Mr. Yamazoe, who is losing his life.The two characters meet at the same company and reconsider their way of life as they get closer to each other.The main characters, Mr. Fujisawa and Mr. Yamazoe, are

Played by Dee, who also played the role of a married couple in the NHK TV drama series Come Come Back. The actors who played the role of the couple were Nee Kamishiraishi and Hokuto Matsumura of the Stones.We have received a lot of e-mails from listeners who said they have seen all of E-Dawn.We

Have received a lot of e-mails from Watchmen.Thank you very much. As expected, this is director Miyake Sho’s latest work, so if you’re watching a Japanese movie today, you probably feel like you can’t miss it . The filming on masterpiece film wrapped in 16mm film is also wonderful.Continuing

From the previous rehearsal, the relationship between Fujisawa-kun and Yamazoe-kun is good.On the other hand, there are specific opinions about people who are actually suffering from illness. If you watch this movie, you might feel sad when you compare your own teachings with the main characters of this

Movie.I’ll read more about herself and other things later, but I don’t think the acting is too good . There were some opinions that I didn’t like, so I’ll read as much as I can. I ‘ve seen all of Sorafare-san’s radio shows. I’ve also changed jobs and been to a psychiatric

Hospital, so it’s something that’s familiar to me, and even apart from that, it’s a good place to be as a human being. I think it’s a masterpiece that gives you a sense of trust.First of all, it’s really wonderful that

It values ​​the wisdom accumulated by people who are often seen as police in fiction, such as books and group therapy with experts.It also shows the changes in the main characters. I didn’t draw it dramatically, but

I drew it in a way that makes you suddenly realize that things have changed over time.What they show is that autonomy means being able to depend on others, having many others, and completely understanding others. It’s hard to save people, but it’s

Possible to create a place where each person can be accepted in life with peace of mind.In particular, the relationship between the two main characters makes you want to watch it forever, and the characters are completely empathetic. The sense of distance is comfortable, and

You can feel the dignity of being with others as others.The film itself is warm, with scenes that make use of depth, and film photography that captures light and shadow. It reminds me of a box that ends with a box, but as it is said in the planetarium in the story

, by closing it, it seems that we, who are outside the screen, are also entrusting our hopes to the Entrol who gives us such a factor. I can’t forget the video and the shot of Yamazoe-kun’s empty room just before

That.For me, I have to say that it’s the best Japanese movie of my life. I have been interfering in everything at night when supervising makeup.I am overwhelmingly a 3rd person.I myself have a developmental disorder called ADHD, and while I go to the hospital once a month, I

Basically keep myself open to everyone around me, including people at work. I live a social life with the help of others.Although I don’t have sudden symptoms like Mr. Fujisawa, who appears in this work who becomes uncontrollable when he develops PMS, or Mr. Yamazoe, who sometimes has panic attacks

, I am prepared. If you don’t have medicine to keep yourself calm, you’ll lose concentration and motivation, which will interfere with your daily life.Director Sho Miyake’s characteristic is that he doesn’t need to tell you all the external information, but rather he is sensitive to the facial expressions and gestures of the other person.

I think they sometimes do things that make it easy to imagine the background behind their words and actions , and by doing something like that this time , I feel, even as a person on the side of the party, that I feel despair at their pain and lack of understanding.

I was able to feel it as a stimulus that was much closer to a skin sensation than a direct one.When I received a medical treatment at a mental clinic, when I was asked if there was anything I wanted to ask when I had symptoms, I

Tended to say that I didn’t have anything. I thought there was a part where he wanted to get medicine quickly and go back to the village and be alone. Mr. Yamazoe was talking to the doctor played by Mr. Uchida Chika, and he was already talking some more in the middle.

That’s exactly what was depicted, such as the scene where he was trying to carry his luggage.He never tried to impress us, and without trying to push us away, we looked at Fujisawa-san and Yamazoe-kun’s way of interacting with society, and we were told that

This world would never be the same. I was reminded that there is nothing more despairing than using a cellphone, and I felt saved.Also, in the final part of the movie, Mr. Tsujimoto, played by Kiyohiko Shibukawa, is actually Mr. Yamazoe’s boss. Mr. Tsujimoto, played by Mr. Shibukawa Terue,

Still has panic disorder, but he remains at work in today’s society and talks about the planetarium as development, and I was shocked to see Mr. I couldn’t stop crying when I thought of them as my friends and family.I don’t know what difficulties the two of us will face in the future,

But I will watch over them with warm eyes. I felt a quiet emotion that made me want to call out to the people who were in trouble and say, “It’s okay, it’s okay.”I think it’s a masterpiece.I’d like to introduce some parts of it. However,

Kihachiro-san has praised the whole story.The one I would like to especially mention is Yoichiro Saito, who played the role of Mitsui Prefecture Fusuru president Kurita’s deceased brother using only a photo and his voice . When the director passed away,

A Tweet screening was held in Niigata, planned by a university alumnus of director Aoyama, and I had the opportunity to see Kitakyushu Saga and other movements, and hear from Yoichiro Saito about his memories of director Aoyama.Akiro himself But did you plan that? Mr. Koichi and Mr. Saito are regulars in Aoyama’s work,

And the two play brothers, and the depiction of Mamiya Transport in Kurita Science and Sad Vacation is in sync with director Miyake’s relationship with director Ameyama. I felt a strong sense of respect for Mr. Saito.The

Voice left behind by Mr. Fountain’s younger brother was inherited by Fujisawa Yamazoe, and the main characters inherited it and spoke about it in their own words.I couldn’t get over it.I couldn’t help but look at people and society. Mr. Hachi said that the intervention was a pleasure to see

Director Miyake Ko’s new sensibilities and inheriting the richness of the films left behind by his predecessors.On the other hand , I would also like to introduce you to those who said it was a little disappointing.Radio Name Keba-san Eh, I was diagnosed with panic disorder about 15 years ago

And bipolar disorder about 10 years ago, so I can’t say I fully relate to this movie as someone who suffers from the same mental problems. I felt a certain degree of connection even before the intervention,

And the scene that resonated with me the most was the scene where Yamazoe suddenly talks about the reason for his panic attack at a ramen restaurant without directly mentioning how busy he is at work. I myself had not had any particular mental anxiety or physical problems up to that point, but

While I was eating at a fast food restaurant, I suddenly felt something strange in my lower abdomen and throat, and then I became short of breath and was taken by ambulance. It was the beginning of this movie.I

Think it was very good that they were able to express the actions that they dared to take in a natural way.In this movie, the disease was

Carefully depicted without being overly vague, and I was impressed. I was so happy that I cried tears of joy because I realized that there are people who understand people like me.This person also said that he was so happy that he cried tears of joy.That’s the premise of my opinion. I’d like you

To ask me a question from now on, but in reality, not everyone is blessed with such environments and machines, such as the science-like workplace that this work presents, and the encounter between Fujisawa and Yamazoe. Even if you live in such an environment, there will be more people who realize that they too

Have something like that. Especially since it depicts illness realistically, if you look at it as a work of fiction, it’s a mountainside story that doesn’t matter. Mr. Fu’s relationship is extremely upsetting, and especially those who are currently suffering from an ongoing illness

May feel extremely sad when comparing their own circumstances with the two in this movie. I can’t deny that this movie made me reacquaint myself with loneliness.I think there are pros and cons to this movie when I relate it to my own illness, but I don’t think it has anything to do

With mental health issues. This is a work that people would like to pursue, and there may be very few people who feel that they have nothing to do with it in modern society. However, of course, not everyone has the opportunity to have such good encounters or be such good friends, but even

In this work, Kurita Science This is just my opinion, but Kurita Science is a nice company and they have nice people, but I don’t think they’re portraying that as the only place they can be, and that society is really that extreme. It’s not that science is doing anything particularly good, so it

Would be great if places like this spread out all over the world, but it’s possible in that world, and relationships like this are possible. For example, Fujisawa- san and Yamazoe are good friends, but it’s not like they’re that close, so

I guess it’s okay if they’re like this, but I think that’s what makes Fujisawa-san so special. I think the idea of ​​living away from that is a relatively simple choice, and Yamazoe accepts it as a normal thing.Of course, there are various kinds of things. Everyone, it goes without saying that each person has

A variety of circumstances and conditions, not just that advanced situation, and each person is really, really different, so the way they feel changes depending on their condition.Of course, it’s a work. Well, that’s all of you, so I’ve really learned a lot from all your opinions.Thank you very much.That means

I’m saying yes, and so am I.There’s a lot of things I want to talk about, so let’s talk about everything at dawn. I also watched T-Joy Prince Shinagawa and Tohoku Matsu Hibiya and Anoe a total of three times , once with the audio commentary using the audio commentary UD cast

And once with the audio commentary using the audio commentary UD cast. However, although it was a smaller screen, it was pretty crowded not only on the first holiday, but also on weekday afternoons.Of course, there were probably a lot of Hokuto Matsumura fans, but I was surprised. From what I’ve seen, the audience

Is diverse, and the reputation of the work itself, or the high level of attention it’s garnered as Director Miyasho’s latest work, which has become even more widely known since we finished rehearsals for the previous work. I really felt that way, and there were

Quite a few scenes where people were laughing out loud, including myself, and it was a great atmosphere. For example, those of you who have seen it will understand. But when that paralyzed angel Fujisawa-san said, “Oh, please give me one more chance,” he said, “Oh,

Give me another chance” and laughed, and then that Yamazoe said , “Oh, please give me one more chance.” When it suddenly changes, Yamazoe’s hair becomes shorter and his face becomes a little more cheerful.The changes in Yamazoe due to the editing jump

Are really funny.In fact, there are a lot of comedic moments that make you laugh. I thought it was a work , but it had a very movie-like atmosphere, so when I went to see it for the first time,

Ucast has been introduced many times on this program, for example, uh, qualification disability, qualification disability. The point of being able to listen to and watch movies on the app is to provide audio guides for people with disabilities and subtitles for people with hearing impairments, so that anyone

Can enjoy movies. One of the accessibility services is UD Cast Audio commentary using Esono’s UD cast.Audio commentary that is often included as a bonus on that Blu Raya DVD.Areeso audio commentary that is familiar from our Rhyme Star video works. Mr. Inoshita, Mr. Eko Matsumura, and

Mr. Sho Miyayake, the director of Mr. Miyake. I learned from the poster that there is a project starting from February 16th where you can listen to the explanation in three words during the screening period, and I guess that’s probably why there are so many repeat viewers. I’ve always loved audio commentary, so I

Decided I had to do it, so I went to the second one with the cast, and it turned out to be really good.The episodes and perspectives that I talked about with the participants made this work a lot better.

I originally thought it was a good movie because it enhanced the level of modification that I could enjoy , but now I love this movie even more.First of all, the two leads are really relentless in their portrayal of the characters. Of course, I’m not talking about the disease part. It’s amazing that

These two people are pointing out things like, “This must be dangerous,” not the disease part, but the imperfections that these two people have as people who already have this disease. It’s fun and makes me laugh, and I’ve learned a lot of new things about the details and things that are definitely well-made

. It’s great that you taught me so much, and I’ll probably start today. Of course, I’ll be careful not to give away any spoilers that will make people lose interest in the story, but I’m sure there will be some knowledge and perspective gained from the audio commentary,

So I’m really looking forward to it. I’m glad I did, so my co-guest also went out to practice with Director Miyasho.In the end , I didn’t win the gacha, so this was the first time I’d featured

A work by Nade Higashigaku. Once in Popeye, Mr. Miyake and Mr. Miyake, 2018 Your Birds Can Sing, I went to a project where I asked questions to Emo Task, the lead actor, and a lot of people asked questions. I didn’t understand the concept of the project properly,

So my question was a little off, and I ended up wording it in a strange way, so I’m really sorry, I’m embarrassed, and I’m sorry. I’m very sorry for that , but I watched all of the movies that you recommended.It was really good.It

Was great to see something like Mr. Miyake’s movie theater, but anyway, Miyake. I’m really sorry that I haven’t been able to see most of your early works because of Sho-san’s enmere . I ‘m really not good at it anymore

, but as I said earlier, I can sing the same way you did, and of course I’ve been watching the rehearsals. Also, there’s a documentary called The Cockpit that shows the whole story of Omusubi and Bim- kun, who appeared in Kimi no Torie wa Utaeru, from 0 to 1, in

Real time . Mr. Hispec, who is currently working on the wonderful Gekijoki after “ Your Bird Can Sing ”, is originally a member of Simirabo, so in other words, Mr. Sho Miyake is very fond of hip hop. There’s no doubt that I

‘m the one who looks like that, and I’m sorry for the appearance of those five people, but I’m sorry for the inconvenience. My favorite Mr. Miyake is that small fry cockpit , and Mr. Kazuo, who is working on the legs this time,

Is the same person who has done movies such as Lee U’s Gangles. The drama Hana Sugisaki no Murder is the 2nd part of the Nesatsu series, Hana Sugisaki no Murder, both of which were written by the two of them.I’m just watching it at this time , so I’m not talking about

It after watching everything. I’m saddened that there aren’t any, but that ‘s still the case.Even though I’ve seen all of the films I’ve seen so far, including all of that dawn, there’s definitely something in common that leaves a lasting impression after I’ve finished watching them. While I was

Looking at the work, I felt that the time that was there, the interactions between people, and the small moments that could only be found there, at that moment, at that moment, made me feel something that happened as the work ended. The idea of ​​being gone has

Definitely come to an end, the relationship between people who were definitely in that time and place, something that arose from that, and we, the audience, feel as though we are living with it throughout the running time. As soon as the movie ended, it

Definitely came to an end and went away. More specifically, I was convinced that life and the world would continue on from there. That’s how I felt. Look at Miyake’s work. That’s one of the factors that left a strong impression on me.If I were to put it in common terms, I

Might think that a certain amount of time has passed, something has ended, and it’s a movie, so that’s the way it is, but that’s not what I’m saying. For example, I feel that Ko Miyake has a very, very deep understanding of the

Characteristics, or rather the essence, of the medium of expression called movies, and appreciates his work.For example, in the beginning of this film, Mr. Mo and Mr. Enji Fujisawa, the civil commander, There’s also

A scene in which she apologizes to her boss at work the next day for having a seizure due to PMS symptoms, and that’s because of the audio commentary I mentioned earlier. But Mr. Miyake, I really didn’t want to use a layered format here.I often say that in that movie, they

Didn’t want the layered format to be used too much, and this new one from Indiana Johns has a layered format . I’ll say that I was really disappointed when the movie arrived, but Miyake’s intention was to have the audience share the same time with the main character in real time

, so instead of showing flashbacks, it shows how she did it. You mentioned that you made them watch a video shot on a tablet, so that’s what happened in this scene.By the way, the big guy on the left, facing Mr. Fujiyama,

Looks really nice. The role of the boss is also really adorable, but apparently he’s the young guy on the right side of Mr. Fujisawa who filmed this video, and the young male employee is actually after him. That surprising episode

Is built into this movie, so please check it out in the commentary. Of course, you don’t notice it just by watching the movie, but the episodes that follow are actually built in. Anyway, it gives a sense

Of the progression of time. I have always said that movies are a very important essence, and that memories are almost forced to be shared.Mr. Miyake especially consciously creates works that take advantage of the fact that

The audience can share what is happening in the movie. I think that’s what makes this a movie, that time we lived together.Continuing the trend of the previous work , the cinematographer Yuta Tsukinaga created a 16mm film that was sometimes soft and sometimes tingly.

The film was shot at 16mm, so the grain of the film is very washed out, so the grain of the film is exactly where each light beam is burned, so it’s true that it’s physically burned out because it’s there. I’m sure of that, but

The 16mm touch gives me a feeling of being in that place at that time, as I’ve been saying, with a certain kind of sadness. I feel like it fulfills a role that makes it stand out, so once again, this work is all about that dawn, but

This original novel by Maiko I also read it at this time, and the main character has been this from the beginning. It’s a very interesting novel because of the interactions between Fujiyama and Yamazoe and the sense of distance between them, but in this movie version, the two leads, Monet and Hokuto Ematsu,

Recreated them on the spot. As I’ve said before, it’s like a really bold word or reaction, but it’s something that director Miyake has in common with his previous work.It’s something that makes you think that something like that really happened there, but it’s the original work. When you read a novel

, it seems like it’s obvious that they’ve done this faithfully, but I’m surprised once again by the fact that such people are really there, and it feels like that moment. It’s so natural that you can only feel that it was alive, but rather than it being postponed

, I think it’s more like it’s being realized, even though it feels right.For example, the part I mentioned earlier about giving me a little more chance, etc. It’s strange because it comes out naturally , but when I read this, it seems like that line is exactly

As it is , and of course there is a cut that shows the alley with that haircut. There’s no such thing, so it feels exactly like that. Mr. Miyake shows all the details in one cut, and he’s

Really angry in one continuous movie. If that were a live-action movie, that would be exactly what he did. As for the part about it , but anyway, the relationship between the two main characters, a man and a woman, is just as everyone has written.The

Distance between them is getting smaller and smaller, but at the same time, it seems like it will never develop into a romance, or rather, it will never develop into a romance. I don’t even think about it, I don’t really think about it, I don’t really

Think about it, it’s a natural, flat, long-distance feeling, and it’s really comfortable to watch the entire movie. Even in the audio commentary where there is no relationship between them, this guy was repeatedly poked at and laughed at,

But of course they are trying to make peace with each other and do all kinds of things so that they can give each other the help they need when they need it. They’re all trying to get at each other

, but they’re not serious about getting to know each other that well.Why is that the only way to answer ?They’re laughing at this, but this is really funny, and that’s why . I wonder if it’s possible to have such a relaxed relationship.In other words, it’s because

Neither of us feels like we have to like each other a certain way that we can get together without putting too much effort into it.For example, we’re about halfway through. After they had become close, the two of them lazily

Read books about each other’s medical conditions in Yamazoe’s room, and here too, it was basically an exchange of positions.They exchanged books about each other’s medical conditions and read each other. This situation is actually very moving, as it often appears in Yoshimitsu Morita’s films, and

It’s like a temporary communion between positions, or rather an expression of intimacy through a temporary communion between positions.This in itself is very moving. The fact that they are both trying to learn about each other’s medical conditions is actually quite moving, but as they were reading books about each other’s medical conditions and

Talking lazily, I suddenly heard that this was also used in the trailer. As Mr. Fujisawa said, that’s probably true. Mr. Yamazoe’s line: Well, even if we’re in different positions, men and women, even if we’re not good at it, he says, there’s only so much we can do to help.

Fujisawa-san says something like, “That’s right, right?” but it’s used in the preview, so it’s strange that it’s so effective in the movie, but it’s moving. It’s about how it resonates , but in the movie, there isn’t even an ounce of emotional air flowing from there,

And it’s confirmed that there’s zero sexual tension between the two of them. They had a light argument, and then they said things like oh no, it’s sexual intercourse, and then there was an exchange where they both showed that they didn’t have that kind of thing, and

Then it was time to go. Fujisawa-san, everyone has been describing the food in the best way ever since he stood up.I don’t understand Pringles, but anyway, he eats the potato chips in the tube and eats them twice, like this from earlier. In the audio commentary

, Mr. Miyake said, “Well, for example, when he hides behind the frosted glass and does something like this, it makes him look a little cute, or like a guy who falls in love with him.” When I saw that guy doing it proudly in front of me

, I felt like I wasn’t the same as that guy.It was funny, I really laughed at that part, too, Fujisawa. Mr. and Mr. Yamazoe have a comfortable sense of distance due to their non-romantic relationship. Even after reading various interviews, especially Mr. Matsumura’s conscious effort to find a balance,

It seems like they are in a romantic relationship. I mean, I mean, you were very careful about it, but it looks like you were really able to do it, and it really does look like that. It’s good, and the two of you

Have built a strong relationship of trust through that Cam Cam Everybody. I thought for a moment that maybe it was because they were comrades-in-arms that they felt this way

, but in terms of the sense of distance in human relationships, what is important is that the main character For example, it is not limited to two people. There are two people working at Kurita Science, the Kurita metal kettle in the original work, the

Science craft gag, and the super school experiment material company, which is a small, laid-back company. It’s a wonderful piece of art that has been carefully crafted down to the smallest detail, including the interior of the car.In fact, the carefully calculated presentation is actually based on people’s sense of distance.First

Of all, it’s about where each employee is. For example, at the beginning, there is a caption that says 5 years from now, and Mr. Fujisawa is coming back to the company with a souvenir for the company, and in this series of events, this person is here. This person

Is here and you can see the placement of the characters, but at the very end when Yamazoe-kun reports, the placement of the characters is repeated again in the exact same positional relationship, so there

Is a dramatic change in Yamazoe-kun in particular. The atmosphere of Yamazoe’s riverside, where there are many people, is very quiet, but I feel a great deal of emotion.In the first place, it seems as if Yamazoe-kun had consciously chosen to become a member of the Kuriyama scientific family. In fact, this

Is also a very hot place, but it’s also a detail that I really want you to notice on the big screen of the movie theater , but it’s the eyes of adults who are subtly concerned about the two main characters from behind. From the beginning where Mr. Yamazoe’s carbonic acid

Push triggers Mr. Fujisawa’s excitement, to the part where Mr. Hiranishi, played by Tomomitsu Adachi, who is actually in the background, there is a movement of good job, and the second half. Mr. Fuji makes a rather sloppy comment on the explanation of the planetarium created by Mr. Yamazoe, and

The two of them get a bit sloppy.The gentle gaze of that person who occasionally looks at them from behind is cut and uploaded like this. In other words , the world is expanding beyond the main characters, and

There are other people with their own life circumstances, and the lives of the LDP and Kokou are linked to make this possible. That is to say, the sense of the world is incorporated into the creation of the work itself, and the message is actually inserted at key points to

Make the world feel larger. There are occasional circular shots of the town pictured below , but I think that’s what’s included here as well. According to the script’s production notes in the theater’s pamphlet, the script uses the same thing I mentioned earlier about Hana Sugisaki’s murder, and the

Details of the background are used as much as possible for the characters who appear to be just one person. It’s the two of us working together to create the setting, and it becomes the background to making the world stand out and make it stand out from within the work. I don’t think so.There

Are many great arrangements for movie adaptations , but for example , those two junior high school students who keep making videos of Kurita Science documentaries that appear throughout the movie. The casting balance is also great,

And these two are just two people who make you feel good just looking at them, but by having them, of course, you can explain various aspects of the company called Kurita Science without being explanatory , and it’s true to what I’ve been saying earlier. I think it’s good

That the record of the time and activities that took place remain in the work, and as I said earlier, at least the structure and resonance of Miyake’s small works, which I feel like, stands out even more clearly. Other than that, the bicycle that Fujisawa-san gives Yamazoe-kun at the beginning is a

Vivid contrast to that exercise bike that is in Yamazoe-kun’s room.The exercise bike never leaves the room . In contrast, the bicycle that Yamazoe-kun rides in the middle of the movie as if he is in contact with

Fujisawa -san in the beginning is of course used for one purpose only. Because the town is full of slopes, you can’t live there all the time.Sometimes you have to get down and push the slope, but on the way back, you can feel the wind comfortably. That

Tunnel.The change in the relationship between the two people around that tunnel is really coming to mind.And of course, it’s a planetarium.It’s a projection of light as strangers gathered together in the dark look at each other innocently. It goes without saying that we, who are watching endless movies at the cinema, are like mirrors.At

Each climax, we look up and see the people involved in the main characters in various positions. On the contrary, there are probably people right next to us who are suffering from PMS, panic disorder, or even those who have lost their bodies in unacceptable ways,

All with various circumstances. It’s hard to say that we’re always using our portrait power, but that fact literally opens our eyes anew.It’s dark, but it’s just before dawn.This cinematic arrangement makes us look at celestial bodies.Is this really what you’re saying ?It’s wet. I think it fits

Perfectly both in terms of drama and meaning.The sentence added at the end of the explanation of the planetarium by Mr. Fujisawa, played by Mr. Monet, is that.That’s right.The president, played by Mr. Mitsuishi, has passed away. It was left behind by his brother, who had lost it, but

When Mr. Fujisawa discovered that sentence in his notebook, the ingenuity that was put into it was surprising in terms of art, but once you listen to it, you’ll understand. KUFU Please also pull out the audio commentary I mentioned earlier. It’s amazing, and

It sums up all the themes of this work.It’s a great line worthy of the title, “Everything about the dawn.”This is a famous recitation by Mr. Uechi, and above all, Mr. Matsumura, who was listening to it outside, was a little

Achy in the audience. When I saw that reaction, which no one else saw, I felt like I had lost my nerve, and I couldn’t help but laugh a little.What I can say clearly is that this is a work that people like Fujisawa and Yamiyamazoe will really, really like. Well, in short,

Aside from that slight illness, it’s a comedy about people who are really cute in their bumpy and bumpy ways, and who enjoys the off-beat deviations of their characters.

Fujisawa-san, after all, it’s about the way they act. It’s really charming to know that there are times when you’re acting a little strange at your age.You buy that many charms and

Let the person you meet for the first time choose one. As I watched it, I started to think that it was very similar to Mr. Fujisawa.Also, Yama-kun’s tone is more pronounced than usual.There are remnants of his previous job at the consulting company, and he seems to be a bit more consulting-oriented

As the head of the presentation district. He seems cute, and there’s a slight difference between Eko and Yamazoe-kun when they’re together other than Mr. Fujisawa, especially when they’re with Genji played by Mr. Shibukawa or the president played by Ken Mitsui, both adults who actually have their own scars. It’s good that Yobe

Has that really nice youthful feeling, but also the slightly masculine feeling when he meets his ex-girlfriend, which is good.Of course, the actors who make it happen are overwhelming. Needless to say, Yamazoe Fujisawa’s respective roles, Ichita Miya and Chika Uchida, were both absolutely perfect, and

Of course Ne-san and Hokuto Matsumura, the way they moved their eyes, the angle of their shoulders and back, and the way they handled things. The ability to convey their condition in one shot is truly incredible.For example, regarding Mr. Fujisawa

, this movie starts with rain and ends with rain.In the first place, he falls down like this after being hit by the rain and is basically a train station. I think it’s amazing how the work is based on the people we see so often at stations, and

Even when people often look like they’re in trouble or have collapsed, we don’t help them, thinking that we’re not there. However, I think this production is really wonderful because it introduces us to the life that lies beyond that.As I mentioned earlier, it starts with the rain and ends with the rain.Actually

, the photo shoot itself gives a sense of the passage of time, as it captures the expression of the ceremony. It seems like it was captured in autumn, but for example, the first part of Nesama

Is clearly summer. It’s autumn with the sweating and colors, and there’s an indoor space, and the winter scarf is empty, so it’s spring at the end. This is also an artistic detail that shows the ending credits.There was an artistic detail that shows the sense of the season.

By the way, this isn’t the end. Come on. First of all, the timing when the final credits appear. The credits start with this shot of me looking towards the Kuta Science courtyard. It feels like the credits are starting in a strange place. So, from there,

The end credits of Kurita Science begin to show everyone moving around as they please and scattering around. There, Yamazoe-kun goes to a convenience store. Is there anything there? It’s just that this person is saying something. But now we’re all done with it, and

Towards the end of the shot, the end credits I mentioned earlier, the camera was probably placed in that weird place where I thought it was going to end. It’s dark around the area where it was placed, but I can see it there

Well.I won’t tell you all about this, but I won’t tell you all about it, but I’m once again reminded of Jonathan Debi’s Rachel’s Wedding. It kind of reminded me of the water surface shot in “ No,” but in other words

, it was also a movie with a vague observational perspective, and that’s what sticks out in the end.It’s a heart-warming movie . This has become one of my favorite movies, and I think it’s a perfect movie for people to come together in the darkness, so I’m

Sure the director of Miyanaga will be the one to do it. Isn’t this the latest work ? Please pick it up while it’s in theaters . So next week, what day? 3 Next week, Thursday, March 7th, we ‘ll be announcing shortlisted works to watch. First of all, the first addition is this one,

Argyle, this is Matthew Bourne.The next one is here, uh, Mr. Okamura was also introduced to us yesterday.Richard Eire, Everything, 3rd, Madame Ubu, 4th, Nect Girl Winds, NEXT, Goal Winds 1 1st Covenant Promised Rescue 6th Crime City No Way Out And 7th Anatomy of Falling 8th Someone Is Afraid And the

Final candidate is Listener Capsule The work I want is Soulmate. This is a remake of the previous work Solmate. This is a remake of the previous work Solmate . It’s about two women who are bonded by such a strong bond that the Japanese of the new friendship seems like a joke.

I cried so hard that it hurt. Tentatively, what number of movies are we going to release this year ? We’ve got all the old movies. Let’s get gacha time. So, Ukraine, humanitarian aid, uh, Palestinian werewolf aid, and… In order to support Noto Peninsula himself,

He spends 30,000 yen and spins the gacha, but he dodges once and spins the gacha, and Hosaka-san ends up causing a lot of gacha . I only had 29,000 yen to spare. I’m sorry. I’ll drop it off after that. I’ll drop it off after my senior. Yes, I’ll go. Let’s get it. 1st

Shot. 3rd shot. So that’s it , but it seems like they’re having a bit of a hard time industrially, so let ‘s go ahead and issue another one.Sorry Madam Ubukonko.Here’s another 77.I forgot about the analysis of the fall.I’m

A little nervous. Oh, it’s a bit heavy, but I’ve already seen it once, and it’s interesting. It’s interesting. I recommend it. It won an Academy Award, too. So I decided to go see Raka’s Anatomy, and I already saw it. We are looking for emails from

People who want to see us.We are also looking for movies that you would like to see.If you are accepted into the listener slot , we will give you 2000 yen in cash.Please send both emails to Uma@MARTBS.co.jp There is also a YouTube archive of the program , and official transcripts

Have been lined up since “Money Syndrome”, and there are various things that have been properly arranged, so I have corrected mistakes, so please check it out as well. please _

TBSラジオで月曜日～木曜日22時から生放送でお送りしている「アフター６ジャンクション2」内の人気コーナー、劇場で公開されている最新映画を評論する『週間映画時評 ムービーウォッチメン』の公式Youtubeです。

※この動画は字幕ボタン・CCボタンを押すと横文字フルテロップでお楽しみいただけます。
Tap the CC button.Translated subtitles are displayed.